In a word, neither. I’m tired of reading the endless comments on Trump by entertainers, (mostly, as we notice, negative). It goes on and on. And on. Now here’s an exercise: Think of something positive to say about him, and say it. If you can’t, it’s because your liberal streak won’t let you. Then you
John, I see you were born in London in 1932 and attended Watford Grammar School. Given that you started working for the BBC in 1944 you must have planned to be an actor from a very early age. Was that always your ambition? Did you have early training?
Three nos. I had no plan to be an actor, no ambition, and no training. When I went to Kings Langley’s Rudolph Steiner school (locally known as the “do as you like” school), at the age of ten, I was cast in the annual school play, Puck in A Midsummer Night’s Dream, performed outdoors in the garden. But that was it, and I hated doing it, it seemed kind of gay; I was not turned on to acting, and had no thoughts along those lines.
Your first show on BBC radio was The Will Hay Programme in 1944 where you acted as D’Arcy Minor, the swot of St. Michael’s. How did that come about? And was it fun working with Will Hay?
My family lived in Chipperfield, Herts, in those days, and I was coming home on the bus after school one day in August, when a man came up to me who I recognized, for he lived down the road. His name was Alick Hayes, and he asked me if I was a good reader. I told him yes, and he said could I come over later, meet his wife Zillah, have a cup of tea, and read him something out of the Evening Standard, so after supper I did. He tested me for fluency, to see if I could read without stumbling, and he was pleased that I could. He then explained that he was a BBC producer, and was about to start a new BBC radio comedy series, but the young actor he was going to use had just got sick, and he had an emergency, and maybe I could help out.
The show was The Will Hay Programme (The Diary of a Schoolmaster) and the part was that of a very clever young swot who said very long multi-syllabic words instead of shorter ones whenever he answered the schoolmaster’s questions. Mr Hayes wanted me to play it, just the first show, and he said it would save him from having to find another actor quickly from an acting academy. It was going out live in front of an audience from the Paris Cinema, a basement BBC studio off Piccadilly Circus, in just three days’ time.
I raced home, told my parents, said please let me do it, it sounds like fun, and it pays money. So my mother took me up to London next day, and that is where I met Will Hay and the rest of the cast – one schoolmaster and three students, so-called. Smart was the cheeky one (played by the very professional actor Charles Hawtrey), Beckett the dumb one (Billy Nicholls, on his day off from the RAF), and D’Arcy Minor, the studious swot (me). The joke was that I was the only real schoolboy (eleven years old). Will Hay was repeating the same schoolmaster act he had done in several of his films (Good Morning Boys, 1937, etc). It will be remembered that the comedy came out of the fact that he was a hopeless teacher, and the students took over.
That first day I remember well. …
June 1st. 2013
I see that my late ex will be having an Off-Broadway theatre named for her at a June 3rd 2013 ceremony in New York. The 45 Bleecker Street Theatre will thereafter be called the Lynn Redgrave Theatre. I am pleased for her. I plan to be there, and to become…
I’ve been a contributor for many years now. I guess it started when I needed a means to rehabilitate my name and reputation after the onslaught from the court, the press, my wife, my children, my in-laws, and, ok then, if you insist, the nanny. Doing this enabled me to show that I did have…
Nikke Finke has a free site which I rather like, it’s where you go for the latest breaking news on the Hollywood front. It’s called DEADLINE HOLLYWOOD.
Today, she informed her readers that the managers were at it again, pleading their cause before a federal judge, but were thrown out. Here, she can speak for…
Dustin spoke on stage after the screening with many funny anecdotes in the making of QUARTET, especially in his director/actor dealings with Maggie Smith, who has quite a reputation for being “difficult”, as does Dustin. He said they got along “just fine”.
He spoke of the minutiae of the producing/directing process, how he had…
Saturday, November 3rd. 2012
I don’t bother with moviegoing much any more. My time is taken up with real life things, and I don’t need to escape into worlds of action, horror, fantasy, and in-your-face scatology, and I fear that the same might be said for the general population, as the new economic/political scene gets under way.
However, partly to celebrate my 80th birthday, and partly to see something I could relate to (I have a pilot license and owned 2 planes), and as a SAG member for the past 50 years, I decided to accept Paramount’s invitation for actors to see a special screening of this movie yesterday at the Writers Guild Theater, and interact with the makers at a Q & A afterwards.
Hey folks, this is quite exciting! Terry Taylor, the editor of a magazine which is put out twice a year for the Just William Society in the U.K., had been in touch with me a few weeks ago to ask if we could put together the story of my life. Daunting!
Not quite the whole story but a lot of it, starting with my being “discovered” as they used to say, on a bus in Chipperfield, and my beginnings as a child actor in wartime London with comedian Will Hay on BBC radio.
We performed the act for the King, Queen, and Princesses 4 days before the war ended. What followed was my being cast as “Just William”, and the downward spiral of my life as an actor to the present day. That’s 69 years! Here’s what he had to say:
Starting each day with an activity that becomes almost ritual seems like a good idea. I guess it’s different for different people, ask Bill Clinton, but for me, after the cup of Chai Latte which I make for myself (the heck with Starbucks), I sit down and try to write something for this blawg.